Chances are pretty good that if you’re a writer, you’re also a reader. Books are glorious! But chances are also good that you’ve read a not-so-glorious book, one that left you scratching your head. As in “how did an agent, then an editor, THEN a whole acquisitions team at a major publishing house think this was good enough to publish?”
Yeah, you know what I’m talking about. I just finished a middle grade novel like this, and yes, I did finish it. I kept reading even though the protagonist was whiny and unlikable. I kept reading even though the plot was something I’d seen a hundred times before. I kept reading even though the other characters were mostly undeveloped and/or stereotypical. I kept reading to the whiny, predictable end.
There was a time when I would let a book like this get the better of me. I’d stew and sulk and possibly–I’m not saying I did this, I’m just saying maybe–throw the book across the room. But not any more. Now, I read those books from start to finish. Because I want to know the why. What did an agent, an editor, and a whole acquisitions team see that I’m not seeing? Why did a book get published?
And while I’m pondering, why are kids reading this book? Because this particular book had a ton of reviews–great reviews! (Except for one which funnily, listed just about everything that had annoyed me.)
Publishing is a subjective business in some ways, but more importantly, it’s a money-making business. So if a publisher sees dollar signs, it’s a book they’ll acquire, in spite of cardboard characters, tired plots, or a boring protagonist. My mission, when I’m reading so-so books, is to see why it sold.
And here’s what I’ve found again and again: concept trumps everything. There are some subjects ( plots) that middle schoolers are always going to read. And there are emotional concepts that are highly relatable to the middle schooler. If I can find that relatable concept in a tried-and-true yet fresh plot, I’m halfway to the shelf.
You can be, too, in whatever you write. But first, you gotta read a lot of books.
(P.S. You might want to check out the Great American Read for more glorious but also head-scratching books. I mean, Fifty Shades of Grey? Seriously? On the other hand, look how much money that book has made…so yeah. I rest my case. Feel free to share your strong opinions.)
Cathy–I’m always worried that I’ll be accused of doing a “sour grapes” thing when I complain about published books (like I don’t want to snag a book deal if THAT is what they want), but yeah, there are plenty of stinkers.
I voted for Harper Lee’s first book as my # 1 favorite novel. However, I bought her second book, and hated it. However, I read the whole thing, hoping it would get better. In my opinion, it didn’t.
Thanks for a post that made me think.
I’m leaning toward that one as well, Sioux. I haven’t read the second one…I don’t think Harper Lee intended for that to be published and so I feel like I need to respect those wishes. (Curiosity might’ve got the better of me if I’d heard good things about it; sadly, I haven’t.)
It is often a puzzlement why a book is picked up for publication. We may never know…
Yep, there are definitely a few of those, Pat.
Ah-hahahaa! You crack me up. I’ve gone on those not-so-silent rants myself and for some reason, Nathanael always zones out before I’m done. 🙂 But I’ll keep reading because I do think it’s one of the best ways to become a good writer. I mean, if Avi says that’s the way to do it, that’s good enough for me. Plus, what other job has you do something SO fun for research?
Exactly, Deb! I can lounge on my deck, reading, and call it work. Gotta love that writing job. 🙂