Tag, I’m It! (Or How Answering Writing Questions Keeps A Writer On Track)

My friend, Vicky Alvear Shecter, author of the wonderful Cleopatra’s Moon and the soon to be released Anubis Speaks, invited me to participate in a Blog Tag wherein I must answer a couple writing-related questions.

And I jumped on that tag. Mostly because I was thinking, wheee! Now I can answer questions and won’t have to think up something scathingly brilliant for my next blog post.

Er…then I perused the questions. And realized that I’d still have to think. But in figuring out answers, I honed in on the focus of my projects! So thanks, Vicky–I needed that!

What are you working on right now?

This year, I’m striving to incorporate a little more balance in my writing. Which means that while I’m working on long-term goals (like book-length manuscripts and sending out queries), I’m also working on short-term goals (like essays or short stories for immediate markets/contests). For September, I’ll submit a short story for the Springfield Writer’s Guild Prose and Poetry Contest and I’m thinking on an idea for Kid’s Ark. I haven’t exactly come up with the idea yet, but the theme, “Store Up” has been staring back at me from my calendar so I’m counting on some kind of osmosis to kick in any day now. And for my manuscript, that means finishing the final revisions of CALLED.

I’d set CALLED aside till this summer because I kept fixing (or mucking up, depending on your perspective) little things without really tackling bigger issues in the story. Now that I know the story I want to tell, I think the edits are going much better. I don’t know that the writing’s better…Anyway, CALLED is the tale of fifteen-year-old, Tish Connery, who has been called to serve, called to help others. It’s just that the particular other who needs her help happens to be a little girl–who died six months ago. And even though Tish is not exactly the Catholic Teen of the Year, she’s pretty sure that a calling like this is against at least one of the commandments. But the spirit is persistent and Tish has always been a Good Samaritan sucker. She figures helping one little ghost can’t really hurt. (P.S. She figured wrong.)

So CALLED is a story of spirits and the spiritual, a coming-of-faith journey within a middle grade mystery/thriller. And it’s kind of funny, but not nearly as funny as it started out.

How does it differ from other works in the genre?

Gosh, I hope CALLED differs in its spirituality. I don’t think a girl with a psychic gift is that unusual in the paranormal genre. But from the start, I wanted Tish to be conflicted about her calling. And for that, I needed her faith to be a bigger part of the story. I thought about Joan of Arc and even Mary, the Mother of God, and how difficult it must’ve been to say yes when God called them to serve in ways so far beyond what they understood. But the bible is full of ordinary people who see and hear extraordinary things. And through a lens of faith, we believe, too. So I began to see that CALLED was a story of faith.

I think, too, I wanted to look at the protagonist differently. In most middle grade or YA stories, girls are kick butt heroines. Tish is more of a “kick you in the shins, then run” sort of heroine.

Why do you write what you do? 

I think for CALLED, I’m writing about questions that have rattled around in my brain since I was ten years old and my mom drove me past the notoriously haunted house in downtown Savannah. Savannah is a city steeped in spirits. But it’s also a city known for its St. Patrick’s Day parade and historic churches. The two have always coexisted, and I wanted to explore that paradox.

But in general, whether I’m writing for children or adults, I’m working out the questions rattling around in my brain. I don’t always realize what I’m trying to work out when I write, so that often, after I’ve finished a poem or a story, I’ll think, “Ooooh. Okay. Now I get it.” Sometimes, the writing of it is cathartic but not so great, and that’s okay, too.

What is the hardest part about writing?

The hardest part of writing is also the easiest to answer. Is the writing good? It doesn’t matter if I’ve received a “Congrats! You’ve won and we think your story is brilliant!” email just that morning. I’ll finish a story that afternoon and the doubts begin. Is this any good? Will anyone want to read it? I should go get a decent job, make money like normal people. 

Pffffft. Writing is easy. Sending your writing out into the world takes courage. (Fortunately, I realize that writing is not life or death and I get over myself.)

Holy cow! See what I mean about answering those questions? I had to think. And now it’s my turn to tag three authors, and I’m going to choose Lisa Ricard Claro and Donna Volkenannt and Sioux Roslawski. I’d love to read their answers to these questions!

So tag, you’re it!

Friday’s Fun Find: WIK’13 and an Agent Interview!

Southern Breeze SCBWI Writing and Illustrating for Kids is right around the corner (October 12th, since you asked), and I’m pretty darn excited about the faculty and workshops they’re offering!

ImageAnd I’m pretty darn excited that agent Jennifer Rofé, from Andrea Brown Literary Agency, is here today to share writing insights, wisdom, tips—well, it’s just a smorgasbord of writing stuff. Not all her writing stuff—you’ll have to join us at the swell conference for that—but I’ll bet it’s enough to hook you!

Jennifer, I see where you’re open to projects from picture books to Young Adult, but that Middle Grade is your soft spot. What is it about Middle Grade that especially hooks you?

Aside from the expected hurdles, I mostly enjoyed my middle school years; I recall having a pretty fun time. I later went on to teach 8th grade for a handful of years in my 20s. I haven’t yet bothered to pinpoint why this is, but there’s something about this time in life that I understand and connect with. As for what specifically hooks me — that twilight moment of the pre-teen and early teen years; being just on the verge of self-realizations and life-truths. Also, there’s more room in middle grade for outrageous and funny and zany. I like that.

Check out the speaker bio here (and Jennifer’s agency bio here) to find out more about what in a manuscript is a wow! for her. And now we have to know what makes Jennifer wince. What, in a query and/or a manuscript, just makes you cringe?

Here are some query faux-pas that make me cringe:

* Misspelling or not including my name.

* Queries for materials that, per my bio (and online interviews), I am not interested in.

* Beginning a query with a question, like “Have you ever wondered…?” or “What would you do if….?”

And the biggest cringe for me:

* Writers “educating” agents on the current market. For instance, “Books about bullying are currently popular” or “The market for paranormal romance has cooled off.” It’s not necessary to do this in a query.

I always include that I’m a member of SCBWI when I query. Do you think that makes a difference to an agent? And if so, why?

It does make a difference to me because, namely, it shows that you’re invested in the industry that you want to be a part of. Also, members have typically attended conferences, so they generally have more knowledge about the industry than those who aren’t members or don’t attend industry conferences.

Are you a member of SCBWI, too? And what has the experience meant to you?

I am a member, yes. I don’t know how to say more other than I love SCBWI. I love the community it creates, I love the educational opportunities it offers to writers and illustrators, I love the connections it encourages and fosters between writers/illustrators and industry professionals, and I love the children’s lit family I have because of SCBWI. Our community is blessed to have this organization.

Jennifer will be presenting two, two-part workshops at WIK: The “So What” Factor, examining plots of successful books, and “Ten Things Nobody Tells You About Publishing” (and thanks so much for telling us!). So maybe you could give us a peek at one of those things we should know? Or maybe share a “So What?” insight?

I’m not sure where in the #1-10 spectrum this one will fall – it might even be #11 – but how about this:

Your second contracted book — it might be one of the hardest ones you ever write. Try not to sweat the angst too much; you are in good company.

Thanks, Jennifer! And thanks so much for stopping by! I can’t wait to see you at WIK—and hear more about those ten things I absolutely need to know. Unless you want to expound a little bit more now? Maybe? No?

Jennifer?

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WIK is a great place to get inspired, get tips on your craft, and learn about the business of children’s publishing. It’s also an opportunity to meet editors, agents, and an incredibly supportive network of working writers and artists. This annual conference is hosted by the Southern Breeze region of the Society of Children’s Book Writers and Illustrators (SCBWI). To find out more or to register, visit https://southern-breeze.net/

 And for interviews from more presenters at WIK’13, check out the schedule I posted here. But honestly, I think it’s MUCH more fun to check out the presenters up close and personal! (Early registration continues through September 10th, and it’s not too late to register for a manuscript critique as well! Hope to see you at WIK’13!)