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Cathy C. Hallhttps://cathychall.wordpress.com/I write, write, write. Then I rewrite, rewrite, rewrite. THEN I submit all those polished-up words out into the world and sell 'em. It's a plan that's worked pretty well.

Friday’s Fun Find: Read Across America!

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Today is Read Across America Day! It’s also Dr. Seuss’ birthday!

I LOVE reading and I LOVE Dr. Seuss’ books. I’m particularly partial to Green Eggs and Ham, mostly because I have such sweet memories of reading that book to the Junior Halls. But also because I loved reading it as a wee child.

And because reading Dr. Seuss makes me feel like a wild and crazy 8-year-old, I think that’s how I’ll celebrate today. How about you?

Will you read here or there?

Will you read everywhere?

Will you read up or down?

Will you read all around?

Will you read in your chair?

Will you read on the stair?

Will you read with a friend?

Will you read to the end?

I do so love to read, you know.

Thank you, Seuss– and off I go!

With Leap Day, You Get Extra: Editor Kristin Daly Rens

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Leap days are extra, so I thought it’d be swell to give you an extra bit of wisdom from Kristin Daly Rens (senior editor from Balzer & Bray/Harper Collins) who spoke at the conference. Plus, I had a pic of her with Cathy-on-a-Stick and that’s always a bonus, right?

So Kristin (who is funny, delightful, smart, and charming and I’m not just saying that because she happened to do my formal critique) spoke about dialogue and plotting. But (and I’m sure this will come as no surprise to you) I cannot find my plot notes. So we’ll be sharing dialogue notes today.

She had a ton of great tips about dialogue, and examples of sparkling banter in books. Um, apparently, I did not write down the book titles. But Debra Mayhew, who sat next to me, wrote down every single book mentioned and then she shared them on her blog. (Why thank you, Deb!).

So now, let’s dash to Kristin’s tips, starting with what to avoid in dialogue.

AVOID SAYING SOMETHING YOU’VE JUST SHOWN. (Yes, I know that seems like common sense. But it’s a terribly common problem and one you should check for when editing your manuscript. Because…

TOO MUCH DIALOGUE SLOWS DOWN THE STORY (Who knew? I LOVE dialogue. In fact, I tend to read the dialogue in books and skip all that descriptive stuff. But it occurred to me that I can do that because I read good books where the dialogue is used correctly. How so, you wonder? So glad you asked.

DIALOGUE SHOULD BE SIGNIFICANT  (Every word of dialogue should matter to the story. Every. Single. Word. Yes, you want to be authentic, but not so authentic that you bore your readers. So don’t put in all those umm’s and uh’s. Put in the words that matter and most importantly…

PUT IN THE WORDS THAT MOVE THE STORY FORWARD  (That tip speaks for itself, doesn’t it? Get it? Speaks for itself? Um, yeah…we’ll just move on. Like your story should do with great dialogue.)

Because now I think you have enough dialogue information to make your own banter extra sparkly. And you’ve got an extra day to do it!