When Did Writing Non-Fiction Get to be So Fun?


I am seriously thrilled to have Vicky Alvear Shecter visiting with us here today! And I’m even more thrilled that she’s still speaking to me. Because I asked her all sorts of questions about her latest book, Cleopatra Rules! The Amazing Life of the Original Teen Queen over at Finders & Keepers. Then I sorta badgered her to come over here and talk about writing non-fiction. And then I kinda suggested she give away something to help my writer friends.

Vicky’s a bit of a history buff. Which is like saying The Beatles were a bit of a band. But Vicky’s not your typical dry, history writer. Her brand of story telling is witty, contemporary, and very kid friendly.

So here’s my first question: Was it harder or easier for you to sell a history book with such an irreverent style?
Harder! Not everyone is comfortable with my approach although, surprisingly, the folks who seem to like it the most are classicists. They “get it” that these are real stories about real people and they appreciate the attempt at making it more lively for kids.

In order to sell this approach, I had to make sure (as I say in your other interview) that my research was unimpeachable. I used primary sources wherever possible and had four esteemed researchers/professors vet the book for accuracy.

One reviewer said the voice in the book sounded like it was written for a teen blog. I think this person may have meant this as an insult but my response was—YES! That was exactly what I was going for!

The way I figure it, it is our responsibility to get kids excited about history, to ignite their fascination with this other world that still resonates in ours. With so many tech distractions, we have to grab ‘em early. There is plenty of time, later in high school and in college, to get all formal and stuffy. I just wanted to capture their interest and imagination.

The slang and humor in your book make it such a fun read—I almost forgot I was reading history! But as you mentioned, those endnotes were stuffed with impressive research. How does a writer find “unimpeachable” references and resources? And how do you talk people into being so helpful/generous if you haven’t sold the book yet?

As with most history books, I sought out primary sources where possible. What is so interesting, though, is that the only records we have of Cleo were written by Romans, who hated her. They had a vested interest in making her look bad in order to justify an illegal war against her.

So in addition to reading the Roman sources, it was important to read the works of academics and scholars who parsed out the political motivations behind the way Cleopatra was portrayed. So I read tons of secondary sources too in order to create a fuller picture.

The first person to read the book for me was a classicist at Emory University (Dr. Katrina Dickson) who vetted it for me before I even submitted it. My editor, Larry Rosler at Boyds Mill Press, later sent the manuscript to two experts in London—classicist Dr. Dorothy King and Egyptologist Dr. Okasha El Daly.

When I integrated all of their (thankfully minor) changes, I still felt that it would be useful to have a Cleo expert bless it. So we went to Dr. Prudence Jones, a professor at Montclair University and author of several works and films on Cleopatra, to give it a final once-over. She was gracious and helpful and turned the book around for us (it was already in layout form) very quickly. In fact, all of the experts who looked at the book were extraordinarily kind and helpful!

Wow. That’s a lot of work! But I’m sure it was helpful in your next project. I know you’ve got a YA fiction book based on Cleopatra’s daughter coming out in the fall of this year. What was the impetus for switching from non-fiction to fiction? And how difficult was the switch, in writing style and tone?

The impetus was that I was absolutely floored that no one seemed to even know that Cleopatra had a daughter and that she was the only one of her four children to survive into adulthood.

I mean, we’re talking the daughter of Cleopatra and Mark Antony! Can you imagine what it must have been like to live under the shadow of such a powerful mother? It seems like it was a classic YA story ready to happen—a story of survival and a young woman’s determination to carve her own identity in history.

The writing style and tone is VERY different in the novel. So different, that sometimes I wonder if I should’ve used a pseudonym. If people expect Cleopatra’s Moon, to be light and funny like my nonfiction books, they will be very surprised. In a good way, I hope.

Sounds very mysterious and very good! Maybe you can come back and dish some more with us? Oh! Wait! I also wanted to ask you about all those photos in the book. I’ve always wondered how an author gets permission for artwork and photos to be used in a non-fiction work?

Many of the photos were public domain photos. For those that weren’t, I had to get in touch with the photographer and ask permission (in writing of course). In other cases, we had to pay for the right to use them, usually with museum artifacts.

And as if answering TONS of questions wasn’t enough, I begged Vicky to bring a photo or two from her collection and share her funny captions. She does an occasional blog post called Photo Funnies that completely cracks me up. ‘Cause who doesn’t think men in skirts are HI-larious? (Well, besides the Scots)

“You mean we play this game with no hands? I thought you said no pants!”

Now, zip over to her blog, History with a Twist and follow Vicky. You’ll laugh some, and you’ll go “ewwww” occasionally, but you’ll end up scathingly brilliant! And you might even end up with a free critique! Vicky’s agreed to critique the first ten pages of a fiction or non-fiction manuscript for one lucky follower. Just let me know if you signed on to follow her at her blog, Facebook or Twitter. I’ll put your name in the drawing for each connection. And on Monday, I’ll draw a name and make your Valentine’s Day even sweeter!

P.S. If you want to know more about Cleopatra, and maybe win Cleopatra Rules!, zip over to Finders & Keepers and leave a comment. It’s that easy.

Thank you SO much for sharing your writing insights today, Vicky! Um, you are still speaking to me, right?

LOL! However, I’ve had to put my fingers on ice since I had to type so much!

A Little Inspiration with Coffee and May

The entire title of this post should read “A Little Inspiration with Coffee House Fiction Anthology 2010 and May Kuroiwa.”But that’s rather long for a title-and May knows a little something about titles.

May Kuroiwa is visiting here today on the WOW blog tour as one of the judges for the Coffee House Fiction Anthology. This anthology is made up of the winners of the fifteenth Dame Lisbett Throckmorton Fiction Writing Contest. These short stories are the best of the best, a variety of genres and subjects sure to inspire you on your own writing journey.

And May is sure to inspire you, too. She’s stopped in to answer a few writing questions, on a variety of different subjects.

1. May is currently pursuing an MFA in a low-residency program offered by Warren Wilson College. What influenced your decision to take on an MFA program when you were published and already enjoying literary success?

If my final measure of writing success was to be published, then seeing one of my stories in print would have been enough and I’d have moved on to other easier projects–like learning how to firewalk. But I want to tell stories and do my best at making them accessible to readers. That means pursuing craft by attending conferences and workshops and taking classes, being willing to experiment with genres and tools like point of view, and searching out excellent mentors. Pursuing an MFA was the next step.

2. What’s a low-residency program and how does it differ from other programs? How do you know what’s best for you if you’re considering an MFA?

To decide whether a full-residency or a low-residency program is the best fit, consider these questions:

Do you live within commuting distance, or are willing to move close to, a full-residency program? If not, investigate low-residency programs. You only have to attend 8 – 10 day residencies twice each year.

Are you willing to build one on one mentoring relationships, and to receive your instructor’s feedback on your work by e-mail, snail-mail and over the phone? Or would you prefer a traditional in-classroom setting?

If you must continue working and have family obligations, are you disciplined enough to dedicate 25 hours minimum each week to schoolwork? Low residency semesters are six months long; you won’t get summer or winter breaks.

Can you afford the tuition? Some full-residency programs offer complete funding but it’s rare to find financial aid in low-residency.

3. May has also judged literary contests, so can you share with us what catches your eye immediately that makes you think a story or a poem might be a winner? And what makes you say “No” at first glance?

As a judge at Coffee House Fiction and for high school scholarship contests, I must say that although the first sentence is important, and that first paragraph, many writers neglect to carefully construct their titles. A story that opens with an authoritative line contained within a beautifully written paragraph, and which then fulfills on the promise of its title, just might be a winner.

First glance no-nos: colored ink or paper, strange eye-bending fonts and formats, and cute illustrations. My advice is to allow the story to stand on its own merits.

4. I’ve been watching Hawaii Five-O (the new one, but okay. I’m old enough that I watched the first one, too) and I find the island culture so interesting! I know you grew up in Hawaii and wonder how much of that culture finds its way into your work?

I watched Hawaii Five-O while growing up too.

The act of writing is revealing. My cultural background and the way life is unfolding and what I’ve been wondering about all influence my work. Some of my short stories include surfing, discovering the bones of ancient warriors in beach sand, and Hawaiian chants, but all my stories are about relationships. I write about that intersected space between family and friends, between a character’s self-image and the story’s reality, and the past and the present and what sort of future that relationship promises. I hope my stories can transcend cultural barriers by dealing with the issues of being human.

So now you should be good and inspired. Or should it be well and inspired? May can let me know. She’ll be dropping in today to answer any and all writing questions. Oh, and don’t forget to check out Coffee House Fiction to find out how you can order the latest anthology!