Spot the Difference: Summer Vs. Vacation

IMG_20190609_174418204I’m in  summer mode re: work right now. Which basically means I enjoy two siestas during the day–a short stint out on the deck or on the beach, soaking up my Vitamin D (And P.S. A quick bit of time in the sun is the best source of Vitamin D but do wear your sunscreen!) AND a late afternoon siesta where I get my reading in (And by “reading”, I mean “nap”)–instead of the one siesta I take during full work mode.

As you can imagine, one must be very organized to get anything accomplished if one’s taking two siestas a day. And I know what you’re thinking: can one really be that organized? So as proof, I offer today’s post over at The Muffin. To wit, Revision: A Whole ‘Nother Story.

You’ll note that not only have I come up with some pretty darn good writing/revision stuff but also I have shared my ultra-organized revision grid/chart wherein it’s kinda mind-boggling in its accomplishment glory.

I should probably add that other writers way more accomplished than I came up with revision grids and the same darn good writing/revision stuff ages ago BUT that doesn’t negate the fact that I worked like a fiend in the last six weeks on the latest manuscript whilst taking their advice AND two siestas.

So I think I deserve a vacation at this point. Which basically means that for the next six weeks, you can find me either on the deck, the beach, or the screened porch, with a book and/or a cool drink or Popsicle in hand. I may be reading, I may be napping, I may be thinking up the next story, but there is one thing you can be certain about: I WILL be wearing sunscreen.

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Libs will be checking email for me, but I wouldn’t count on her. Even when she’s in full work mode–and you can see that she’s revved up and at the ready here– she’s dismally lazy.

What Not To Do Wednesday on Revisions and Bathrooms

The last week or so, I’ve been doing a major bathroom makeover at the Hall house (well, I haven’t been doing it–I have a guy) and working on a major revision on my YA novel (which I have been doing, all by my lonesome).  I do not recommend pursuing these joint activities if at all possible. Unless you work better with buzzing, sawing, thumping and other builderly things going on in the background.

So I woke up this morning, thinking of Becky Levine and a contest she held a while back in which I won her book, The Writing and Critique Group Survival Guide (a very swell book, by the way). Becky wanted three sentences with a metaphor for revision (and a whole bunch of points she wanted us to make) and here’s what I wrote:

Revisions are like the Bathroom Makeover from Hell when you look around your very serviceable bathroom, knowing there are some things you must keep because you love them so, some things you can’t change without ruining the structure, and some things that absolutely must go because they’re just unnecessary or downright ugly. So you roll up your sleeves and get to work, and along the way, you find that everytime you make a change, it affects the whole makeover. Till at last, after a TON of blood, sweat and tears, you’ve got a pretty decent bathroom–and you vow you’ll NEVER do that again, until you walk into your very serviceable kitchen.

I would just like to say that the Bathroom Makeover from Hell was extremely apt.

But I need to add a few points because, grasshopper, I have learned a few things about makeovers and revisions since then.

1. Do not assume that the work will be done in the time period first agreed upon. Stuff happens. So you could probably save yourself a whole lot of stressing if you picked a date about 30 days after your projected completion. Then you’ll be all “Wheee! I’m going to finish early!” Which is way better than sending an email saying, “Could I get a few extra days? Say like 30?” To editors or relatives planning to stay in your home.

2. Check the details. Sure, it may seem obvious what side of the trim board should be painted. But trust me when I tell you that it can be trickier than it looks. The same way that it may seem obvious that you no longer need a character and can easily dump him/her. But that, too, is way trickier than it looks (though you may not realize it until 70 or 80 pages later).

3. Save everything. Of course you’re going to save important stuff like receipts and contracts. But you also need to save little things. Like that extra paint label that’s some sort of secret coding to paint guys–or else you may end up sending a Juniorette Hall to the store to buy more paint in the middle of the project with a paint can lid that you’ve wrapped ever so carefully but somehow still ended up with a mess on your hands. So save every version of your manuscript you’ve worked on. You never know when you may need that one little paragraph from way, way back–and if you try to recreate it, you’ll find that you’ve dropped a few words here and there, making a mess of things.

I’m sure I could come up with lots more What-Not-To-Do’s. In fact, I’m sure you could come up with something I’ve left out and I’d be glad to have your insights. Because I’ve got plenty more revising and painting on the horizon/bathroom.